Drawing Blood Sneak Peek: You’re More Beautiful When You’re Living

In the first of a series of posts leading up to the release of Molly’s upcoming memoir, Drawing Blood, we’d like to share with you an image from the book with some of the accompanying text:
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We walked through the frozen streets to the Oum Kalsoum Cafe. Over hookahs and sticky sahleb, we decided to catch a bus to the south of France. On a cold Parisian night, whimsy can pass for magic. We found a town too small to have ATMs. The sole hotel had decorated its reception room with butterflies in glass boxes. Above one, the proprietor had written,

“I am sorry. I used to do this but no longer. You’re more beautiful when you are living.”*

–Drawing Blood (Chapter 4) by Molly Crabapple

Butterflies is available in the shop as a 8.5 x 22 giclee print for a limited time.
Drawing Blood will be out December 1st 2015. You can pre-order your copy now through our new Book Page.

*Je suis désolé, Je ne fais plus ça. Vous êtes plus belle lorsque vous êtes en vie

 

PROJECT NIA FUNDRAISER

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Launched in 2009, Project NIA is an advocacy, organizing, popular education, research, and capacity-building center with the long-term goal of ending youth incarceration.

This week Aug 24-28, anyone who contributes $25 or more to the fundraiser will receive an 11 by 17 poster of the above image depicting women waiting to visit loved ones at Rikers Island.

You can donate and get your Molly print by clicking here:
http://gogetfunding.com/project-nia-summer-2015-fundraiser

VICE: The Oppressive Architecture of the West Bank

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“Old Hebron is honey-stoned and blue-doored—the sort of charming Mediterranean labyrinth that, in another universe, would be full of obnoxious tour groups. But thanks to the occupation, it’s scarred by gates, concrete barriers, barbed wire, and checkpoints. A souk where gold was once sold lies empty, the doors of its many shops welded shut by the IDF, its merchandise still inside.”

“The Oppresive Architecture of the West Bank” – Molly Crabapple. VICE

https://www.vice.com/read/the-oppressive-architecture-of-the-west-bank

La Lettura Republishes an Open Letter to Lena Dunham

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Yesterday, the widely read Italian newspaper, La Lettura, republished an open letter Molly had written to Lena Dunham, in response to her signing of a petition against Amnesty Internationals recommendations to decriminalize sex work.

If you haven’t had a chance to read the letter, check it out on Molly’s tumblr
http://mollycrabapple.tumblr.com/post/125935580972

The La Lettura Italian translation of the letter: http://www.corriere.it/la-lettura/il-dibattito-delle-idee/15_agosto_16/amnesty-sex-worker-lena-dunham-molly-crabapple-lettera-e637c604-4432-11e5-9a44-839af1b02c5d.shtml

Graphic NYC Trading Cards to Benefit Seth Kushner’s Family

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As a benefit and tribute to the late comic book writer/photographer Seth Kushner, a set of 13 collectors’ cards have been published to benefit Seth’s wife and son. Each card features one of his portraits of top New York City creators like  Molly, Neil Gaiman, Art Spiegelman, Scott McCloud, and Chris Ware. The cards retail for $15 a pack, and $25 for a pack with a single creator signature.

For more information on the project: http://www.thedrawnword.com/p/graphic-nyc-trading-cards.html

Official press release: http://www.nycgraphicnovelists.com/2015/08/graphic-nyc-card-prints-to-benefit-seth.html

Vanity Fair: Scenes from Inside Aleppo

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“The Syrian air force has a habit of following their first barrel bomb with a second. People say this is to kill first responders. (The government still denies that it uses barrel bombs.)
Despite this, the crowd did not run away. They dug in the rubble with their bare hands—old men, Civil Defense volunteers, and militants alike—all except the media activists shooting video. When they found a victim, they gathered to help snatch them out, screaming “Allahu Akbar” as they did. Once they laid the victim in an ambulance, they began to dig again.”

“Scenes from Inside Aleppo: How Life Has Been Transformed by Rebel Rule” – written by Marwan Hisham, illustrated by Molly Crabapple. Vanity Fair

http://www.vanityfair.com/news/2015/07/inside-aleppo-syria

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EJI: Slavery to Mass Incarceration

The elaborate mythology of racial difference created to sustain American slavery persists today. Slavery did not end in 1865, it evolved. #SlaveryEvolved
The legacy of slavery can be seen in the presumption of guilt and dangerousness assigned to African Americans, especially young men and boys, the racial profiling and mistreatment that presumption creates, and the racial dynamics of mass incarceration.
EJI’s Race and Poverty project explores racial history and attempts to deepen our understanding of the legacy of racial injustice. By telling the truth about our past, EJI believes we can create a different, healthier discourse about race in America.
More information here: http://www.eji.org/raceandpoverty

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VICE: Shujaiya Dust

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“Nearly a year after the end of Protective Edge, little has changed in Shujaiya. A few houses have been patched up, but many more are nothing but rubble. Piles of prescriptions fluttered in front of the destroyed Ministry of Health. Everywhere homes lay collapsed like ruined layer cakes, the fillings composed of the flotsam of daily life: blankets, cooking pots, Qu’rans, cars. In one pile of dust I saw a child’s notebook, abandoned. “My uncle collects honey,” the nameless child had written on the first page.”

“Shujaiya Dust: Gaza Is Still In Ruins a Year After the War” – Molly Crabapple. VICE

https://www.vice.com/read/shujaiya-dust-molly-crabapple-456

 

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Show Me The Money

Show Me The Money: The Image of Finance, 1700 to the Present

The latest film from the AHRC looks at ‘Show Me The Money’ – a new exhibition which charts how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States.

This exhibition asks what does ‘the market’ look like? What does money really stand for? How can the abstractions of high finance be made visible? The project asks how artists have grappled with the increasingly intangible nature of money and finance, from the South Sea Bubble of the eighteenth century to the global financial crisis of 2008.

This AHRC film guides us through the exhibition featuring works ranging from satirical eighteenth-century prints by William Hogarth to newly commissioned works by artists Cornford & Cross, and James O Jenkins, as well as the first UK exhibition of international artist such Molly Crabapple.

The exhibition includes an array of media: paintings, prints, photographs, videos, artefacts, and instruments of financial exchange both ‘real’ and imagined. Indeed the exhibition also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts, and electronic trading systems.

To find out more about Show Me The Money please visit the www.imageoffinance.com, website for information, interactive games, and more.

 

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6/25 – RISC + BDC

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Join us Thursday, June 25, for a slideshow and video screening of recent work by the next group of RISC trainees, including artist Molly Crabapple.

RISC Training trains and equip freelance journalists in all media to treat life-threatening injuries on the battlefield. Learn more about RISC here:http://risctraining.org/

Suggested donation: Bronx Resident $5, General $10, helps fund the next class of RISC trainees and the BDC. Tickets available at the door.

Thursday, June 25th
Bronx Documentary Center
614 Courtlandt Ave.
Bronx, NY 10451
8:15 pm

For more information about RISC, please visit risctraining.org.

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Locking up immigrants for profit

“Politicians love to bray that ‘illegal aliens’ are bleeding America. But the real leeches are the private prison companies who rake in billions in taxpayer money to ruin immigrants’ lives — including those with the legal papers to live and work in the US.”

— via Fusion

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21st Century Renaissance Woman

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Called an art movement “in and of herself”, Crabapple is a highly politicized artist and writer who gets around the world of sound bites, producing a new kind of long form journalism.

While she was in the West Bank, besides sketching what she saw, Crabapple, who chose her name at age 19 when she was working as a naked model, was reading from her forthcoming illustrated memoir, Drawing Blood.

One might say that 30-something is too young to be writing one’s memoirs, but Crabapple started out early on the path to success, hell-bent on remaining a maverick.

“Since I’ve written my memoir I’ve been thinking back on my decisions and they could be taken as adult and mature or just [those of] a weird person. I think I was just weird,” she said.

— via Warscapes, “Molly Crabapple: 21st Century Renaissance Woman” by Olivia Snaije

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Stickers by Sticker App

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The Molly Crabapple store now includes vibrant 5×3″ vinyl stickers of the red Fuck You print design, created by the fine people at Sticker App! Sticker App creates custom stickers of all sizes and graciously sponsored us for this first run!

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Each sticker is die cut, printed in high quality, UV resistant ink and good for indoor and outdoor application. You can pick them up in our online store for $5/ea.

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Jeel School Mural

Molly again participated in Zeitouna, a program aimed at aiding and inspiring the youngest victims of the Syrian crisis. Alongside other mentors, she returned to Reyhanli, Turkey to paint murals for the Jeel School for Syrian refugee children.

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Like these? Consider donating to Karam Foundation, a grassroots organization working on both sides of the border.

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Nine Months Later

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Rikers seems an unlikely destination for perhaps the most important citizen journalist of the last year. But though the video Orta shot was shared around the world, he stayed right where he was, a young, working-class Latino man in Staten Island. Anyone in circumstances like those would be vulnerable to police harassment—and doubly so when you make it your business to watch and record the cops and their abuses …

Orta described police violence as being endemic to Staten Island, and in the summer of 2014, he began to document it. Of the videos Orta told me he shot, he posted a just one on his YouTube channel, on July 12, 2014. In it, a gang of white cops force a handcuffed black man into the pavement. As two officers hold the victim down, another officer systematically beats the man’s legs with his baton. The man is not seen resisting arrest.

“Y’all tough as hell with them sticks,” Orta can be heard saying while holding the camera. When a bystander complains, police slam him onto the pavement, then arrest him.

“Nine Months After He Filmed Eric Garner’s Killing, the Cops Are Trying to Put Ramsey Orta Behind Bars,” Molly Crabapple for VICE

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How police profile and shame sex workers

In May 2013, Monica Jones, a student and LGBT activist at Arizona State University, was arrested for “manifesting prostitution.” Monica said she just accepted an undercover officer’s offer of a ride home from her favorite bar. Monica is among the tens of thousands of people arrested every year for prostitution-related offenses. According to the FBI, police arrested over 57,000 people on such charges in 2011. The vast majority were women.

— via Fusion

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Zeitouna Spring 2015

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ZEITOUNA is a creative therapy and physical wellness program designed to inspire and heal the youngest victims of the Syrian humanitarian crisis: the children.

Karam Foundation’s Innovative Education programs counters these traumatic factors by instilling a love of creativity and athletic sports, caring for the youths’ physical and mental wellbeing, restoring confidence by building trusting bonds between mentor and child, exposing youth to advanced technology, and developing leadership skills for the future.

ZEITOUNA SPRING 2015 will take place on April 26-30 in the Jeel School for Syrian refugees in Reyhanli, Turkey. Our fourth Zeitouna mission will be lead by over 30 mentors traveling from around the world. They will serve over 350 Syrian students, grades 1-8, who are currently displaced along the Syrian-Turkish border.

The theme of this year’s Zeitouna program is Holistic Healing. The program focuses on serving the psycho-social needs of refugee students because educating also requires healing from the trauma of war and displacement. Zeitouna’s professional, multi-talented team includes therapists, dentists, doctors, writers, photographers, artists, architects, athletes and journalists. These mentors are experienced in working with children and are dedicated to their learning and development. They are not only experts in their fields, but also in the use of their work to serve the physical and psychological health of refugee youth.

Molly Crabapple is proud to work with Zeitouna yet again this year in creating new murals for the school with their students. For more info, and the option to donate, please click here.

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Photos from 2014 Zeitouna project.

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George Polk Awards at LIU

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DANGEROUS LINES:
CARTOONISTS AND OTHER SUBVERSIVES

P A N E L I S T S
GARRY TRUDEAU, the new George Polk Career achievement winner
JULES FEIFFER, prize-winning cartoonist, author, and playwright
DJANGO GOLD, senior writer for The Onion
MOLLY CRABAPPLE, artist, writer and contributing editor for VICE

KUMBLE THEATER AT LIU BROOKLYN
Thursday, April 9, 2015 • 5:30 – 7:30 p.m.
• download flyer
RSVP
[email protected] or (718) 488-1624

REGISTER NOW

 

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