Molly’s piece for Temple of Art. Photo by Allan Amato. For information about the film, click here.
8/26 NYC Benefit for Seth Kushner
Seth Kushner is a a brilliant photographer, comic creator, collaborator and long time personal friend. Please join us for an evening of live comix readings, music & comedy to raise funds for the health care costs related to his fight with leukemia.
Featuring performances by:
Molly Crabapple http://mollycrabapple.com/
Douglas Rushkoff http://rushkoff.com/
Dean Haspiel http://deanhaspiel.com/
Akim Funk Buddha — http://funkbuddha.org/
Josh Neufeld http://www.joshcomix.com/
Plucky Charms http://
Tuesday, August 26th
Union Hall – Brooklyn
702 Union Street
Brooklyn, NY, 11215
Doors at 7:30p, show at 8:00p. $15
Purchase tickets online: http://www.unionhallny.com/event/647049-save-our-schmuck-bone-marrow-brooklyn/
Read about Seth’s fight with Acute Myeloid Leukemia in an article in Bleeding Cool by Hannah Means-Shannon:
About SETH KUSHNER http://sethkushner.com/
Seth is a lifelong resident of Brooklyn, NY, where he and his wife, Terra are raising their five year old son. A renowned photographer, his work has appeared in The New York Times, Time Magazine, Newsweek, L’Uomo Vogue, Sports Illustrated, The New Yorker and other publications.
Published books include, The Brooklynites, Leaping Tall Buildings: The Origins of American Comics and upcoming New York Comics.
Seth is co-founder of TRIP CITY, home to his CulturePOP photocomix and Schmuck comics. In 2013, Seth co-founded HANG DAI Editions an independent publishing imprint.
Help Seth and others find their match by registering at this event to become a bone marrow donor with Delete Blood Cancer — All it takes is completing a registration form and swabbing the inside of your cheeks. In less than five minutes, you can potentially save a life!
Tickets & Info: http://
They say Sheikh Zayed built Abu Dhabi, just like Louis XIV built the Louvre. But this is a myth. Vijay built Abu Dhabi more than Sheikh Zayed did. He built it growing deeper in debt each day, his feet sinking into the lunar sand.
An Emirati curator told me that these museums were Abu Dhabi’s “gifts to the region.” She refused to go on record, certain my article would overplay the UAE’s labor problems. But she allowed that quote.
She is wrong about the giver of the gift. Saadiyat is a “gift” to the UAE from Vijay, from Tariq, from Ibrahim—from all the men whose hands have built these cities. But migrant workers’ names are never engraved on donor lists.
Had the great honor of being asked to come along with Zeitouna, a program by the Karam Foundation, to mentor displaced Syrian kids. A few dozen of us came to the Salam School, a school in Southeast Turkey for refugees. Dentists from the Syrian American Medical Society fixed hundreds of kids teeth. Boxers taught little girls to kickbox, and my friend Lina Sergie introduced the kids to the fundaments of architecture. I drew these murals.
The teachers, refugees themselves, were brilliant and inspiring. I’m shy and not particularly great with kids, and my Arabic has faded to a few sentences. But the kids loved watching me draw cats and mice up to no good all over the walls.
Photos by Mohamad Ojjeh.
“Also notable, and on the agitprop front, is Molly Crabapple’s ‘Portraits of myself and Lola Montes with things said about us by our contemporaries.’ This outsize painted wood cutout has faces from pulp-fiction illustrations covered with enough written comments to prove that little has changed from the 19th century to the 21st in terms of the verbal abuse often heaped upon nonconforming women.”
Imprisonment is erasure. The state locks a person in a cage—without context, without community, without love. He becomes not human but a widget passing through a system of absolute control. The CMU enacts a double erasure: it represents the ultimate scission of the prisoner from his non-prison self. You are in a box. You are no one. You belong to us.
- “The United States Wants the World to Forget These Prisoners”. Creative Time Reports. by Molly Crabapple
Cover art (and interior illustrations) by Molly Crabapple for Tales of Two Cities: The Best and Worst of Times in Today’s New York. Click here for a full list of contributors and to preorder your copy.
Molly Crabapple designed the poster for the upcoming documentary “The Hedgehog and the Hare” about Andrew Auernheimer and the Computer Fraud and Abuse Act. Read more on their funded Kickstarter campaign page.
In June, Molly Crabapple was invited by the Karam Foundation to the Salam School in Turkey, a mentorship program for children displaced by the Syrian War. While there, she covered the walls with her drawings and wheat pastes based on many Syrian fables.
“ISIS are good fighters, but we fucked them,” Yusuf Halap said in fluent English.
Journalist Patrick Hilsman and I were sitting with Yusuf and two other young media activists in the Bab al Salam camp for internally displaced Syrians, a hundred yards south of the Turkish border. Bab al Salam houses 20,000 refugees, mostly women and children. Under dusty tarps, these refugees live in horrid conditions. Barefoot kids play next to rivers of sewage. Preventable diseases flourish.
– VICE: Caught Between ISIS and Assad by Molly Crabapple
“This is What a Sculpture Looks Like”
group show at Postmasters Gallery, featuring Molly Crabapple
There are too many painting shows.
There aren’t enough sculpture shows.
Postmasters is fixing that.
Featuring the work of sixteen artists.
54 Franklin Street
New York City, 10013
June 14th – August 2nd, 2014
Opening reception Saturday, June 14th 5:30-8pm
Read more at: www.postmastersart.com
Writer after writer took the stage. Silver with passion, they spoke of the Organization’s work in Turkey and China. They showed a film about imprisoned Uighur journalist Ilham Tohti. I cried as his teen daughter spoke.
World-renowned authors talked of freedom. So did Nadya Tolokonnikova and Maria (Masha) Alyokhina, formerly of Pussy Riot.
No one said a word about Cecily McMillan.
– Vanity Fair: From Pussy Riot to Snowden: the Dissident Fetish by Molly Crabapple
Molly will be involved in painting art murals on the school walls.
For more information and the option to donate, click here.
In April, Molly Crabapple created a series of murals for the interior of Kitty’s Canteen, a new restaurant in the Lower East Side, NYC. The largest integrated her designs on over thirty feet of decadent gold De Gournay wallpaper. All photos by Najva Sol
Donald Trump’s hair should not be.
It sits on his head like a soufflé, both airy and solid, as improbable as any building to which he’s given his name. In Dubai, I get to inspect Trump from all angles. His hair is otherworldly, but his face is more easily dissected. It’s tangerine, save two pale circles around his eyes.
Ivanka looks perfect, however. Even when her mouth is a moue of hate.
I am sitting two scant yards from Trump père et fille at a media briefing for the Trump International Golf Course, which is being built by the Emirati firm DAMAC Properties in conjunction with Donald Trump Townhouses and Villas. Trump has promised it will be the greatest golf course in the world.
Ivanka is angry because I asked a real question. In Dubai, this can land you in jail.
– VICE: I Confronted Donald Trump in Dubai by Molly Crabapple
Here is Molly’s cover art for Subterranean Press’s limited edition of John Scalzi’s novella, Unlocked. Only 1,500 signed & numbered copies are being produced. Preorder yours here.
A discussion on the migrant labor that built Abu Dhabi, featuring Molly Crabapple
Two weeks ago, Jezebel published un-retouched outtakes of Lady Gaga’s Versace campaign.
Without Photoshop, Gaga’s wig was more wig-like, her makeup flat beige, but she was the same skinny, strong-nosed chameleon that Stephani Germanotta has always been. The outtakes were not interesting but showing celebrities without Photoshop is Jezebel’s brand.
Jezebel exploded in popularity in 2007 by offering a $10,000 bounty for originals of Faith Hill’s Redbook cover. The raw photos proved the magazine had liquefied the star’s waist, softened her nasiolabial folds, and brutalized her elbow into a bendy tube. This January, with more controversy, Jezebel paid another $10,000 for the originals of Lena Dunham’sVogue cover shoot. Those revealed only a tidied dress.
Jezebel’s is a feminism that seeks its scapegoat in altered images. To refrain from Photoshop is girl-positive marketing gold. Dove Campaign for Real Beauty delights itself by putting out fake filters that chide retouchers. Magazines sign “No Photoshop” pledges. Clothing companies crow that they’ve never taken a clone-stamp to their models’ thighs.
To these feminists, Photoshop is to blame to unrealistic body standards, poor self-esteem, and anorexia in teenage girls. The campaign against Photoshop is the perfect cause for white, middle-class women whose primary problem is feeling their bodies do not match an increasingly surreal media ideal.
Photoshop, the belief goes, takes a true record of a moment, and turns it into an oppressive lie.
But fuck Photoshop. Photos are already lies.