Talking Points Memo – Istanbul: Before the Tear Gas

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On April 18th, I interviewed a Syrian refugee in Istanbul. One year short of getting an advanced degree when arrest attempts forced him to flee Aleppo, the refugee spoke English with a measured intensity. Turkey had opened its borders, he said. Though he is atheist, Turks treated him like a brother, based on what they assumed was a shared Muslim identity. “We believe that if the [Turkish] opposition wins an election they’ll throw us into the sea.” the refugee told me. “The AKP is authoritarian. They should lose. But it’s in my personal interest that they win.” Understandably, the refugee asked me not to reveal his name. In February, Turkey deported an Azerbaijani journalist in revenge for his criticizing the government.

Talking Points Memo – Istanbul: Before the Tear Gas by Molly Crabapple

Earlier this month, Molly Crabapple flew to Istanbul to interview a variety of activists, journalists, dissidents and footbal fans to report on the post-Gezi culture of street protest before today’s planned May Day protests. The article is a long form report, including several illustrations from her travels.

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    About Molly:
    Molly Crabapple is an artist and writer in New York. Her memoir, Drawing Blood, was published by HarperCollins in 2015. Brothers of the Gun, her illustrated collaboration with Syrian war journalist Marwan Hisham, will be published by One World/Penguin Random House in May 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, VICE, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and a Gold Rush Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, PRI, and more. The New Yorker described her 2017 mural "The Bore of Babylon" as "a terrifying amalgam of Hieronymus Bosch, Honoré Daumier, and Monty Python’s Flying Circus.” Her art is in the permanent collections of the Museum of Modern Art, the Rubin Museum of Art and the New York Historical Society.

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