Molly was one of several dozen protestors arrested Sunday at an Amazon flagship store in New York City. As part of a nationwide protest organized by Jewish groups like Never Again Action, Jews for Racial and Economic Justice, local synagogues and more, demonstrators staged a sit-in protestoring Amazon’s technological aid of ICE operations. All were released shortly after midnight, and some were given Roshohanah as their first court date.
This thursday, August 15th, Molly will be joining best selling author Ibram X. Kendi for a discussion about his new book; How to Be an Antiracist. The event begins at 8pm at Judson Memorial Church at Washington Square Park. Tickets are available here.
“The whole activist constellation was out: queers and socialists, environmentalists and independentistas, all the people who had marched alongside one another for so long that, up until this summer, protests felt more like family reunions. There were drag queens. There were members of the teachers’ union, whose retirees were seeing their pensions cut. There were organizers against toxic ash dumps. There were feminist activists with tape over their mouths holding hands. And there were flags: the once-banned Puerto Rican flag, now ubiquitous.“
A few of you have asked what kind of art supplies Molly uses, so we wanted to give you a peek at what’s on her drafting table right now.
Right now Molly has been using Ecoline inks for a lot her illustrations, and as an ambassador for Ecolines parent company Royal Talens, she’s gotten to test quite a few of their products before deciding that these are the absolute best.
When it comes to acrylic paint Molly prefers Amsterdam for their opacity and flow, and their ability to stay vibrant on paper as well as canvas.
You’ll see a lot of Ecolines liquid watercolor brush pens in Molly’s court illustrations. They’re not waterproof until they’re dry, giving her lots of time to play with the image before the ink is set.
And no Molly Crabapple illustration would be the same without buckets and buckets of Talens black waterproof drawing ink. It’s in most of her work, and all over her drafting table. It’s such a lusciously opaque high-quality ink, it’s easy to get so lost in a drawing that you don’t even notice you’ve anointed your face, hands, and desk with it. But it’s worth it.
Last week at NYU’s Hagop Kevorkian Center for Near-Eastern Studies, artist in residence Molly Crabapple and her students released their zine “Al Andalus in New York”. The event featured a performance by Syrian-American rapper and poet Omar Offendum, speeches by Molly, Algerian-American film-maker and journalist Assia Boundaoui, and Columbia University professor Hisham Aidi.
“Al Andalus in New York” is the culmination of Molly’s workshop at NYU and is a reference to the eight hundred year period of Muslim rule on the Spanish peninsula, resulting in a multi-cultural series of kingdoms that was one of the most prominent economical and cultural centers of its time.
The zines were printed by Radix Media, a worker-owned union printship based out of Brooklyn, NY.
“Mac and Smith delineate the problems of sex workers in all their prosaic complexity. “A sex worker may describe a bad experience as a labour-rights violation, sexual abuse, or simply a shitty day at work,” they write. Against the stereotypical Happy Hooker, they talk about the “unhappy hooker,” forced, like so many other workers, to do work she loathes in order to earn enough money to survive, and “who reminds us that capitalism cannot be magicked away” by a jail cell or a self-help book for aspiring Girlbosses—and that capitalism reigns most brutally in criminalized markets. Precisely because the safety net is weakest for marginalized people, they are more likely to become sex workers”
On Thursday May 9th at 6PM there will be a launch party for Al Andalus in New York, a zine produced by Molly Crabapple and students at NYUs Kevorkian Center. The event is free and open to the public and will feature panel discussions, readings, performances and more.
There are over 12,000 high-risk chemical facilities in America — and roughly 40% of U.S. residents live within three miles of them. The Natural Resources Defense Council teamed up with Rashida Jones, Molly Crabapple and https://comingcleaninc.org/ to tell the stories of these vulnerable communities — disproportionately black and Latino — that live every day with the threat of chemical leaks, spills, and explosions that threaten families’ health, their livelihoods, and ultimately, their lives. Learn more: https://on.nrdc.org/2Via8ZA
The Intercept just launched the newest collaboration between Molly Crabapple, Kim Boekbinder, and Jim Batt, narrated by Alexandria Ocasio-Corez, produced by Naomi Klein, and written by Avi Lewis and AOC.
On April 16th Molly will be a special guest the The Intercept’s five year anniversary event at 8pm at The Bell House in Brooklyn. Celebrating five years of “fearless, adversarial journalism”, Molly will be joining several regular contributors to The Intercept for an evening of story telling and discussions about journalism.
Monument Lab said “Syria in Ink brings together literature in the form of memoir and visual art in the form of ink drawings. It invites viewers to experience the words and images of a young Syrian coming of age during the turbulent last decade.”
Molly’s portrait of James Baldwin will be on display in his former home, Les Amis de la Maison Baldwin, in Saint-Paul de Vence, France along with several other portraits of the beloved writer and activist. The show will run for the next year with an opening reception on March 28th.
Molly Crabapple & Marwan Hisham: Syria in Ink
March 22–April 26, 2019
Molly Crabapple & Marwan Hisham: Syria in Ink presents vivid images and words of the Syrian conflict and the country’s partial occupation by ISIS, and the besieged consciousness of a young Syrian man finding his voice as a writer. The exhibition includes over fifty original drawings by artist Molly Crabapple and the voice of author and journalist Marwan Hisham. With pen and brush, together they capture Syria from before its precipitous fall to its current state of crisis and mass displacement.
Molly Crabapple and Marwan Hisham: Syria in Ink is curated by Cora Fisher and organized by the Arts & Culture division of the Brooklyn Public Library, BPL Presents. Support for its presentation at Haverford is provided by the John B. Hurford ’60 Center for the Arts and Humanities.
Molly’s latest article for the New York Review of Books, ‘Whores But Organized’: Sex Workers Rally for Reform, is now online. Covering the February 25th rally organized by Decrim NY, Molly reported on and illustrated the sex workers and public officials that showed up to support the decriminalization of sex work.
“I have seen sex workers all of my life,” Jessica Ramos declared. “I have seen them denigrated by neighbors. The answer is always, call the police to fix this. Police do not fix anything.”
“If we are going to combat harm done to the sex worker community, we have to fully decriminalize,” she said, “so we’re creating a space where sex workers can get healthcare, or cooperate with attorneys’ offices to hold those who harm them accountable.”- Queens District Attorney candidate Tiffany Cabán
Last month Molly had the honor of speaking at the ZEE Jaipur Literary Festival in India.She spoke at both The Travel Panel with Carlo Pizzati, Eliza Griswold, Isabella Tree and Ramita Navai, and at speaking event on Brothers of The Gun with William Sieghart.