It’s Halloween, but we won’t be scared. There are SIX DAYS until the election and #WeWill vote, #WeWill be heard. Election info at www.rockthevote.com.
Very soon, the solar system was a mass of warm and grassy island computers. But Ariadne was far from finished. The best machines ever should be able to answer all the questions, and she knew there was more to see. And so there were soon trees that stood so high and strange that their silver tops crested up into the universe next door. Ariadne grew bridges across the multiverse, the set of all possible universes, just to see what she could see, which is of course the best reason of all. And, on the foot of every bridge she crossed, she gave Meadow to every Earth she found. As did Meadow itself, when it explored on its own, as it was a friendly kind of Damned Stuff, and also because weeds get bloody everywhere.
Words by Warren Ellis, pictures by Molly Crabapple.
A woman’s beauty is supposed to be her grand project and constant insecurity. We’re meant to shellac our lips with five different glosses, but always think we’re fat. Beauty is Zeno’s paradox. We should endlessly strive for it, but it’s not socially acceptable to admit we’re there. We can’t perceive it in ourselves. It belongs to the guy screaming “nice tits.”
Saying “I’m beautiful,” let alone charging for it, breaks the rules.
I wrote an article about my time as a naked model for VICE. It was hard as drawing blood to do, but it had been a long time coming.
Me, Jim Batt and Kim Boekbinder did an RSA Short for the Royal Society of the Arts, illustrating Susan Cain’s speech on the power of introverts. It has a cat Steve Wozniak
Spent today balenced on a ladder, drawing Mary Shelley and her creation in the corner of Library Bar in the East Village. A truly fine and epic dive bar it is.
Debt and Her Debtors is done. For this one, I went less specific and more conceptual, with tiny mice being sold balloons by fat cats, that become the weights that will drag them into a meat grinder.
Seventh watercolour done!
Drawing for STRIPPED: APE
Me and a very tiny piece of my Groucho Club mural
Groucho Club mural, still not all of it.
The Groucho Club mural is a mixture of Alice in Wonderland and the Decline and Fall of the Roman Empire. I hope to do another post of all the madness. Both above photos by Neil Williams
(left to right) + Cuban cigars via the London airport. +drawing the bust of Hogarth at the National Portrait Gallery +home at the Groucho Club +paying homage to the portrait of Sir Richard Francis Burton, the original Chuck Norris
Views of the Groucho Mural. Many days it was balanced on top a ladder till 3am, champagne in one hand, marker in the other, drawing till my eyes went dead, until the beast was done.
Catch me at the Kickstarter booth in Artist Alley (N407) at New York Comic Con, Saturday, October 13th from 1-2 pm. I’ll be signing copies of Week in Hell and Devil in the Details. As most of you know, both Week in Hell and Shell Game were funded through Kickstarter. I love them, and I’m thrilled to be spending my first Comic Con experience with them. So come say hi!
Kickstarter @ NYCC
Artist Alley, booth #N407
October 13th, 1-2 pm
Kickstarter’s full con schedule can be found here.
Discordia by Molly Crabapple and Laurie Penny
This is the Next Big Thing in journalism: digital, visual, intelligent, heartfelt, post-political, female, alarming, and engaging. It’s both an honest chronicle of one corner of the collapse of a civilization, and an inspiring demonstration of the kinds of thinking, craft, and collaboration that might yet get us through.-Douglas Rushkoff, author of LIFE INC.
DISCORDIA is a story of courage and collapse in a country and a culture struggling to map out its future. A short ebook combining a 24,000-word essay with 36 detailed drawings, DISCORDIA is a feminist-art-gonzo-journalism project conceived at Occupy Wall Street and created in the summer of debt and doubt after the euphoric street protests of 2011-2012.
In July 2012, artist Molly Crabapple and journalist Laurie Penny traveled to Greece. There, they drew and interviewed anarchists, autonomists, striking workers and ordinary people caught up in the Euro crisis. DISCORDIA is the result. In an impassioned climate where ‘objective’ journalism is impossible, Penny and Crabapple offer a snapshot of a nation in the grip of a very modern crisis where young and old see little reason to go on, the left is scattered and the far right is assuming greater power and influence.
Available only digitally, with a foreword by economic journalist and writer Paul Mason, this beautifully illustrated ebook is part-polemic, part-travelogue and part-paean to the birthplace of civilization brought to its knees.