Had the great honor of being asked to come along with Zeitouna, a program by the Karam Foundation, to mentor displaced Syrian kids. A few dozen of us came to the Salam School, a school in … Continue reading
Monthly Archives: July 2014
“Also notable, and on the agitprop front, is Molly Crabapple’s ‘Portraits of myself and Lola Montes with things said about us by our contemporaries.’ This outsize painted wood cutout has faces from pulp-fiction illustrations covered with enough written comments to … Continue reading
Imprisonment is erasure. The state locks a person in a cage—without context, without community, without love. He becomes not human but a widget passing through a system of absolute control. The CMU enacts a double erasure: it represents the ultimate … Continue reading
Cover art (and interior illustrations) by Molly Crabapple for Tales of Two Cities: The Best and Worst of Times in Today’s New York. Click here for a full list of contributors and to preorder your copy.
Molly Crabapple designed the poster for the upcoming documentary “The Hedgehog and the Hare” about Andrew Auernheimer and the Computer Fraud and Abuse Act. Read more on their funded Kickstarter campaign page.
In June, Molly Crabapple was invited by the Karam Foundation to the Salam School in Turkey, a mentorship program for children displaced by the Syrian War. While there, she covered the walls with her drawings and wheat pastes based on many Syrian fables.
Molly appeared on Radio New Zealand’s Nine to Noon program yesterday, July 11th, to discuss drawing at Guantanamo Bay. See the gallery here, and listen to the interview.
Molly Crabapple is an artist, journalist, and author of the memoir, Drawing Blood. Called "An emblem of the way art can break out of the gilded gallery" by the New Republic, she has drawn in and reported from Guantanamo Bay, Abu Dhabi's migrant labor camps, and in Syria, Lebanon, Gaza, the West Bank, and Iraqi Kurdistan. Crabapple is a contributing editor for VICE, and has written for publications including The New York Times, Paris Review, and Vanity Fair. Her work is in the permanent collection of the Museum of Modern Art.
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