This week The Cairo Review of Global Affairs described Brothers of the Gun as “an indispensable read that features how ordinary youths change, adapt, and resist, in different forms, in the face of unceasing injustices”. And “a story of hope, fear, devastation, uncertainty, and bravery told through a concise and personal narrative. It is an essential read for anyone who seeks to understand what Raqqa has endured”.
Former US Marine Dewaine Farrina reviewed Brothers of the Gun for The Mantle .He gave an eloquent description of his time in Syria, before and after Arab Spring, and his impressions of the book. Describing Molly as “one of the most influential visual artists of our time” and saying that “(Marwan) demonstrates courage in every sense of the word”. Check out his wonderful piece Sea Stories and Memoirs: A Review of Brothers of the Gun.
The Karam Foundation is a non-profit that began in Chicago in 2007 that provides aid to Syrian refugees. They create education and entrepreneurial opportunities, as well as give direct emergency assistance to recently relocated Syrians. You may remember them from the murals Molly painted at Karam House and in schools in Reyhanli, Turkey in 2015.
Molly again participated in Zeitouna, a program aimed at aiding and inspiring the youngest victims of the Syrian crisis. Alongside other mentors, she returned to Reyhanli, Turkey to paint murals for the Jeel School for Syrian refugee children.
Like these? Consider donating to Karam Foundation, a grassroots organization working on both sides of the border.
Bidding for Groundswell’s Annual Art Auction is now live! Featuring Molly’s signed 2014 self portrait, which you can bid on here. Bidding ends the day of the benefit, October 14th. For more information and to purchase tickets to the event, click here.
Groundswell Annual Art Auction Benefit
110 East 25th Street
New York, NY 10010
October 14, 2014, 7-10 pm
Tiny painting for Cynthia von Buhler’s Lilliput exhibit at MyMicroGallery in Milan. All artwork is 1:12 scale, the size of most dollhouses. Lilliput is open to the public through October 8th. Click here for more details.
Had the great honor of being asked to come along with Zeitouna, a program by the Karam Foundation, to mentor displaced Syrian kids. A few dozen of us came to the Salam School, a school in Southeast Turkey for refugees. Dentists from the Syrian American Medical Society fixed hundreds of kids teeth. Boxers taught little girls to kickbox, and my friend Lina Sergie introduced the kids to the fundaments of architecture. I drew these murals.
The teachers, refugees themselves, were brilliant and inspiring. I’m shy and not particularly great with kids, and my Arabic has faded to a few sentences. But the kids loved watching me draw cats and mice up to no good all over the walls.
My first major solo show, SHELL GAME, closed last Tuesday.
Shell Game was covered by the New Republic, Rolling Stone, Fast Company, Wired, Reuters, the American Reader and many more. The openings were attended by hundreds of people –– many of whom, through their support of Shell Game’s kickstarter, made this whole project possible.
I’m starting to think about my next project, which will explore ideas of explicitly digital culture and privacy. I may even work with an institution or cultural organization to bring it to life on the largest scale possible.
Without the support of hundreds of people online, Shell Game would never have happened. The internet believed in me, believed in the promise of my art, and showed that in concrete ways.
The internet gave me Shell Game.
I want to give them something back.
Today is May Day. The day of workers, immigrants, beautiful young girls, and rebellion. I’m releasing all the art from SHELL GAME on Creative Commons. Share. Remix. Make art. Wheatpaste the world.
Click each image to see it in high resolution. Non-commercial use only and attribution is mandatory (see CreativeCommons below).
Ladies and gentlemen! Today BoingBoing.net is premiering the short animation “I Have Your Heart” directed by Jim Batt, illustrated by Molly Crabapple, with a song by Kim Boekbinder. 2 years of paper cuts and patience!
A woman’s beauty is supposed to be her grand project and constant insecurity. We’re meant to shellac our lips with five different glosses, but always think we’re fat. Beauty is Zeno’s paradox. We should endlessly strive for it, but it’s not socially acceptable to admit we’re there. We can’t perceive it in ourselves. It belongs to the guy screaming “nice tits.”
Saying “I’m beautiful,” let alone charging for it, breaks the rules.