In America, the justice system is anything but just. Courts are conduits for the caging of (mostly black or brown) humans. The police feed people into the courts, and if they sometimes kill those they are arresting it’s regarded as a cost barely worth mentioning. And though they kill a lot of people—in Utah, police shootings are the second most common type of homicide—they are rarely punished. From the fellow officers who write reports and testify on the behalf of killers to the prosecutors who seem determined to let murderers get away, the very system that claims to monitor the police protects them. Police kill. They get away with it. They kill again. Eventually, you realize that this process is not a bug in the system, it’s a feature.
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Molly Crabapple is an artist and writer in New York. Her memoir, Drawing Blood, was published by HarperCollins in 2015. Brothers of the Gun, her illustrated collaboration with Syrian war journalist Marwan Hisham, will be published by One World/Penguin Random House in May 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, VICE, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and a Gold Rush Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, PRI, and more. The New Yorker described her 2017 mural "The Bore of Babylon" as "a terrifying amalgam of Hieronymus Bosch, Honoré Daumier, and Monty Python’s Flying Circus.” Her art is in the permanent collections of the Museum of Modern Art, the United States Library of Congress and the New York Historical Society.
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