Art’s market value, like that of fashion, is derived from name more than any material properties. The Chinese factory workers sewing Chanel handbags can make the same bags, after hours, but they’ll be low-rent knockoffs without the interlocking “C”s. The same goes for an assistant who painted, without the master’s imprimatur, Damien Hirst’s dots. The Brand does transubstantiation. It turns crackers into the flesh of Christ.
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Molly Crabapple is an artist and writer in New York. She is the author of two books, Drawing Blood and Brothers of the Gun, (with Marwan Hisham). Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, and more. Her art is in the permanent collections of the Museum of Modern Art, the United States Library of Congress and the New York Historical Society.
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