Next Friday (March 16th) Molly will be helping kick off the Girls Write Now 20th Anniversary Spring Celebration and the beginning of their 2018 CHAPTERS reading series with a reading from Drawing Blood. The reading will be held at the New York Historical Society and goes from 6-8pm. Tickets are by suggested donation here.
About Girls Write Now:
Girls Write Now mentors underserved high school girls from throughout New York City’s five boroughs — over 90% high need and 95% girls of color — who must rise above the race and income-based inequalities of the city’s public school system and the nation’s workforce. Through one-to-one mentoring with professional women writers and media makers, writing and technology workshops, and leadership, college prep, and professional development opportunities, we inspire women to share their craft and empower girls to find their voices and tell their stories.
If you are in NYC please consider stopping by, saying hi, and helping support this great program.
More info on Girls Write Now is available on their website: https://www.girlswritenow.org/who-we-are/our-story/
From now until April 9th Farmingdale University in New York is presenting Sribing Reality, a retrospective of Molly’s reportage work from the past five years. Below are some shots of the installation. If you live near or you’re going to be visiting the NYC area sometime soon please considering taking some time to go out and see it.
More info here: http://www.farmingdale.edu/business/viscom/mollycrabapple.shtml
We’re retiring a bunch of prints from the store to make space for some upcoming secret and exciting changes.
All of the prints featured in the image above and more will be gone Midnight Monday 1/29. So check out this special section of the shop to see which ones are on their way out.
This Friday January 26th, Art in Ad Places will be celebrating the launch of their book compilation of last year’s campaign.
Please join us at the LUCAS LUCAS Gallery in Brooklyn starting at 7pm.
57 Conselyea Street, Brooklyn, New York 11211
More info at the facebook event page here.
Molly’s work will be featured in the book and copies will be available for purchase right in the gallery space.
Fireside Fiction presents, Thunderstorm in Glasgow. A Poem by Amal El-Mohtar with Illustrations by Molly
Rattle my heart, four-chambered sound
loosen my language from my teeth
tumble raaed out from a fallow throat
and a forgotten year
when hunched in barracks beneath the rain
that gushed from gutters, corrugated roofs
one sister clutched her mother’s hand
and one strained, strained against her grip
wanting the wet, the loud, the dark, the bright,
to shake hands with that searing flash
and make it her friend.
Full piece here: https://firesidefiction.com/thunderstorm-in-glasgow-july-25-2013
During Molly’s most recent trip to Puerto Rico’s Mariana neighborhood to document the ongoing recovery process from Hurricane Maria, she installed three new wheatpaste murals.
Kevin and Louisa Capitilo
Three men from the neighborhood playing dominos.
These join her earlier mural portrait of Julia de Burgos
The next entry in Molly’s Puerto Rico Sketchbook series with the Paris review is up. This entry in the series focuses on the small artist collective AgitArt.
Casa Taller was just the sort of iconic, authentic DIY arts space that gentrification had smothered in New York City. Like all of San Juan, its power was off, but it had a luxurious layout—a small garden, wide white rooms filled with papier-mâché masks, Punch-and-Judy-inspired prints on the walls, battered couches on which one could peruse its small collection of books, and teetering piles of manikin heads, arms, alligator maws.
Full article here: https://www.theparisreview.org/blog/2018/01/10/puerto-rico-sketchbook/
On this episode, Crabapple explains how her experiences with Occupy transformed her career, leading her to cover life at Guantánamo Bay, Syria’s civil war, architecture in the West Bank, and beyond. -VICE
Listen to the podcast here: https://www.vice.com/en_us/article/3k5pvv/vice-meets-molly-crabapple-podcast
Following the success of a special promotion this past September, Molly is offering, for a limited time, to provide copies of Drawing Blood with unique hand-drawn illustrations on the title pages. Below are some examples of past ones we sent out.
Order copies here while they last!
-Posted by AC the assistant
The next entry in Molly’s Puerto Rico Sketchbook series with the Paris review is up. This entry in the series focuses on the large elderly population on the island: “The wrecked economy and closed schools have forced countless younger people to the mainland, but the older men and women stay.”
In many cases, after Maria, it was the Puerto Rican elders who saved their neighbors and rebuilt their barrios. When the bridge collapsed at Utuado, it was men in their sixties who waded through the waters and strung a wire across the river. For over two months, a shopping cart slid back and forth along that wire to deliver food to the people still in the barrio.
Full article here: https://www.theparisreview.org/blog/2018/01/03/puerto-rico-sketchbook-elders-island/
Just added to the shop: Domino King: portrait of the guys of Barrio Mariana, Puerto Rico.
$10 from each print goes to Proyecto de Apoyo Mutuo Mariana, a collective kitchen/community aid center in Humacao, Puerto Rico
Print is 17″x22″ on fine art paper in Archival ink. Limited edition of 25.
Molly is featured in Vogue India’s upcoming publication. Here’s a sneak preview:
Frida never denied pain. Instead, with her art, she looked it frankly in the eye, and said, yeah, I see you, you ugly beast. You think you’re all powerful, but you’re just my raw material, same as my brushes. I’ll polish you and paint you, and make you serve me. You’ll be my most beautiful weapon of all.
Full article here: https://www.vogue.in/content/excerpt-from-dress-an-anthology-celebrating-clothing-style-vogue-india-book/ (note: requires member login)
The next entry in Molly’s series with the Paris Review is live.
The text in the drawing reads: “They say these people at El Local aren’t ‘Puerto Rican’ but this is what Puerto Rico looks like to me”.
“Before Hurricane María it was kind of hard to be an artist in Puerto Rico and now it’s almost impossible,” she continued. “Our art scene thrived on ‘underground’ cultural spaces and galleries willing to give a chance on nontraditional art. Now those spaces are closed, inaccessible or like El Local, repurposed for worthier causes. I have no doubt these spaces will be open once more, but it might be too late.
Full article here: https://www.theparisreview.org/blog/2017/12/22/puerto-rico-sketchbook-comic-book-artist/
The next entry in Molly’s Puerto Rico Sketchbook for the Paris Review is live.
Puerto Rico was colonized before the United States, and by the time U.S. gunboats boomed into its harbor in 1898, it had enjoyed its hard-won autonomy from Spain for several months—not that this helped the island in the eyes of its new overlords. In the opinion of many U.S. politicians, Puerto Rico was populated by members of the deficient “Spanish” race, too lazy and primitive to be granted either independence or statehood. How little some attitudes change.
Full article available here: https://www.theparisreview.org/blog/2017/12/20/puerto-rico-sketchbook-houses-still-standing/
Molly’s next entry in her Sketchbooks from Puerto Rico series with the Paris Review, There Are Dead in the Fields, is up now.
Sugeily, Rocio, and Augustin sang together now, tenderness replacing the mockery in their voices, and the crowd joined them. Fuerte fuerte como hacha y machete. Strong, strong, like machete and axe. When the last chorus finally ended, the whole cantastoria had lasted only five minutes, but it felt far longer, and hit far deeper, too.
Full article and illustrations here: https://www.theparisreview.org/blog/2017/12/18/puerto-rico-sketchbook-dead-fields/
These greeting cards feature reproductions of murals Molly painted at the Karam House this past year. This is the first time the paintings have been reproduced in any print form. Each card includes an English translation of the individual’s quote and a short biography. The collections also include a blank envelope for each greeting card.
The Karam House is a community innovation workspace where Syrian refugee youth turn their passions and ideas into realities. It is a place where they can build strong relationships with peers and mentors. It is a place where they can learn competitive skills in science, technology, engineering, arts and mathematics that are essential to advancing their educations and futures. Most of all, Karam House is an inspiring, safe, and healing space for Syrian teenagers – who have lost so much through the trauma of displacement and war – to be teenagers.
Cards and more information about the Karam Foundation are available here: https://www.karamfoundation.org/karam-gear/innovative-leaders-greeting-cards-limited-edition
American illustrator Molly Crabapple’s Scenes from Syria, published in 2015, is the result of a remarkable collaboration and a vivid exchange undertaken clandestinely in 2013 between her in New York, and Syrian journalist Marwan Hisham, in his native Raqqa. The duo later worked on Aleppo and Mosul and is putting together an 82-page memoir about their work, to be published in 2018. According to Hisham, “more subjects, such as refuge and the idea of homeland, will be included.”
“Our first collaboration was about Raqqa,” Hisham, now based in Turkey, recalled. “Molly (at the time a Twitter acquaintance) suggested if I can take photos that give an idea about the general life in the city under ISIS occupation. The idea, we both knew, was risky but was also very tempting. We agreed to make up to ten illustrations. Since it was my city, I knew exactly where to go, and in some cases, what to capture. We were in daily contact exchanging ideas. Molly ended up drawing all my photos of nine scenes. We had one thing in mind: Depicting civilian and human life in Raqqa and other cities away from stereotype.”
Full article here: http://www.syriauntold.com/en/2017/12/illustrations-graphic-journalism-create-alternative-narratives-historical-documents/
During the #J20 protests, a small group of demonstrators smashed the windows of Starbucks and Bank of America, spray-painted cars, and overturned several newspaper boxes. Importantly, the prosecution has made no attempt to claim that the defendants were among them. Assistant U.S. Attorney Jennifer Kerkhoff has instead argued that the defendants were “playing a role” in the violence. That’s right: The government is trying to set the precedent that if you’re at a protest and someone else smashes a window, it’s your fault.
See full article here: https://www.vice.com/en_us/article/9kdb3a/dystopian-sketches-from-inside-the-inauguration-protesters-trial
Yet these artists had done something that neither Puerto Rico’s neglectful colonial overlords nor its governor had bothered to try. After the hurricane hit, they loaded their cars with donations from Defend PR and the Puerto Rican diaspora and drove into the mountains, determined to find out what people needed.
Read full article here: https://www.theparisreview.org/blog/2017/12/04/puerto-rico-sketchbook-artists-shovels/