Politico: George Bush’s Paintings Aren’t Funny

…the media loves Bush’s paintings. They’re ideal clickbait-kitsch from a boy who would grow into an adorable grandpa, without ever becoming an adult. Bush grins in his painting smock and we laugh. An art exhibit is the benign cherry on his lifetime sundae of fail. Some in the media even wonder if art is therapy for him. Is Bush haunted by what he has done?

I believe Bush paints because Bush can do anything. Every American dream, Bush got—an Ivy League education, running his own sports team, even the presidency. When each dream ended in failure, he grinned and moved on. Bush’s paintings are one more way of turning away from the past, just as he ignored the trail of blood Zaidi left as guards dragged him from the room.

Molly Crabapple for Politico, “George Bush’s Paintings Aren’t Funny”: http://www.politico.com/magazine/story/2014/04/george-bushs-paintings-arent-funny-105664.html#.U0y6PeZdVpc

One Response to Politico: George Bush’s Paintings Aren’t Funny

  1. Don says:

    I think he sees himself as Churchillian. Churchill was a better painter, and better at everything else, including drinking. The question in my mind is, is Bush a better painter than Hitler?

  2. Don says:

    I think he sees himself as Churchillian. Churchill was a better painter, and better at everything else, including drinking. The question in my mind is, is Bush a better painter than Hitler?

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    About Molly:

    Molly Crabapple is an artist and writer in New York. Her memoir, Drawing Blood, was published by HarperCollins in 2015. Brothers of the Gun, her illustrated collaboration with Syrian war journalist Marwan Hisham, will be published by One World/Penguin Random House in May 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, VICE, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and a Gold Rush Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, PRI, and more. The New Yorker described her 2017 mural "The Bore of Babylon" as "a terrifying amalgam of Hieronymus Bosch, Honoré Daumier, and Monty Python’s Flying Circus.” Her art is in the permanent collections of the Museum of Modern Art, the Rubin Museum of Art and the New York Historical Society.

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