Talking to Anarchists in Greece

Greece’s Anarchists Are Taking Better Care of Refugees Than the Government

 

Volunteer groups like Calais Action and Samos Volunteers pick up much of the slack. Often leftist in ideology, volunteer groups work on shoestring budgets, but, unconstrained by the hierarchy and bureaucracy found in many NGOs and government organizations, they’re able to provide many supplies one would expect to come from these larger, better-funded entities

 – Molly Crabapple. VICE. March 2017
https://www.vice.com/en_us/article/how-greece-became-the-eus-prison-for-refugees-v24n2

 

Greece Is Cracking Down on the Anarchist Squats Giving Shelter to Refugees

 

Since the financial crisis, approximately 30 percent of Athens housing stock, and 20 to 50 percent of its stores, have lain empty. Out of these abandoned buildings, leftists wove an archipelago of squats. These are homes, gathering places, community kitchens; some are decaying, others as sleekly artsy as any hipster bar. While most squats house Greeks, they are also an attractive option for refugees, thousands of whom now live in squatted buildings.

 – Molly Crabapple. VICE. March 2017
https://www.vice.com/en_us/article/greece-is-cracking-down-on-the-anarchist-squats-giving-shelter-to-refugees

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    About Molly:
    Molly Crabapple is an artist and writer in New York. She is the author of two books, Drawing Blood and Brothers of the Gun, (with Marwan Hisham). Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, and more. Her art is in the permanent collections of the Museum of Modern Art, the United States Library of Congress and the New York Historical Society.

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