Talking to Anarchists in Greece

Greece’s Anarchists Are Taking Better Care of Refugees Than the Government

 

Volunteer groups like Calais Action and Samos Volunteers pick up much of the slack. Often leftist in ideology, volunteer groups work on shoestring budgets, but, unconstrained by the hierarchy and bureaucracy found in many NGOs and government organizations, they’re able to provide many supplies one would expect to come from these larger, better-funded entities

 – Molly Crabapple. VICE. March 2017
https://www.vice.com/en_us/article/how-greece-became-the-eus-prison-for-refugees-v24n2

 

Greece Is Cracking Down on the Anarchist Squats Giving Shelter to Refugees

 

Since the financial crisis, approximately 30 percent of Athens housing stock, and 20 to 50 percent of its stores, have lain empty. Out of these abandoned buildings, leftists wove an archipelago of squats. These are homes, gathering places, community kitchens; some are decaying, others as sleekly artsy as any hipster bar. While most squats house Greeks, they are also an attractive option for refugees, thousands of whom now live in squatted buildings.

 – Molly Crabapple. VICE. March 2017
https://www.vice.com/en_us/article/greece-is-cracking-down-on-the-anarchist-squats-giving-shelter-to-refugees

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    About Molly:
    Molly Crabapple is an artist and writer in New York. Her memoir, Drawing Blood, was published by HarperCollins in 2015. Brothers of the Gun, her illustrated collaboration with Syrian war journalist Marwan Hisham, will be published by One World/Penguin Random House in May 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, VICE, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and a Gold Rush Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, PRI, and more. The New Yorker described her 2017 mural "The Bore of Babylon" as "a terrifying amalgam of Hieronymus Bosch, Honoré Daumier, and Monty Python’s Flying Circus.” Her art is in the permanent collections of the Museum of Modern Art, the Rubin Museum of Art and the New York Historical Society.

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