The Paris Review – Diego, Frida & Me

 

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I’ve done several murals. Mural work is art at its most blue collar and most sublime: half carpentry and half metaphysics. You’re exhausted and filthy,  wobbling on a rickety platform, but you’re creating a world. Anyone who enters a room you’ve painted does it on your terms. When I do murals, I feel as if I’m John Henry, racing the steam engine through a mountain. If I will die, it will be with a paintbrush in my hand.

Last year I started doing giant paintings about the revolutions of 2011. I was inspired by Diego Rivera.

-Molly Crabapple for the Paris Review – “Diego, Frida and Me”

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    About Molly:
    Molly Crabapple is an artist and writer in New York. She is the author of two books, Drawing Blood and Brothers of the Gun, (with Marwan Hisham). Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, and more. Her art is in the permanent collections of the Museum of Modern Art, the United States Library of Congress and the New York Historical Society.

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    Molly Crabapple:
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