About Molly:
Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was long-listed for a National Book Award in 2018. Her reportage is the 2022 winner of the Bernhart Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker and elsewhere. Her art is in the permanent collections of the Museum of Modern Art. Her animations have been nominated for three Emmys and won an Edward R. Murrow Award. Currently, she is a fellow at the Cullman Center at the New York Public Library researching the history of the Jewish Labor Bund.
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Like. But take it from one who knows — you don’t have to worry about becoming invisible until you turn 50. Then it happens IMMEDIATELY.
Like. But take it from one who knows — you don’t have to worry about becoming invisible until you turn 50. Then it happens IMMEDIATELY.
I sat and stared at this piece for such a long time. For me it captures beautifully the feeling of lamenting our younger years that women over 30 are supposed to feel. Can’t say I lament for my twenties or pine to be younger, but I definitely agree with the invisibility phenomenon – it can be quite suffocating. Beautiful portrait, thank you for sharing.
I sat and stared at this piece for such a long time. For me it captures beautifully the feeling of lamenting our younger years that women over 30 are supposed to feel. Can’t say I lament for my twenties or pine to be younger, but I definitely agree with the invisibility phenomenon – it can be quite suffocating. Beautiful portrait, thank you for sharing.