About Molly:
Molly Crabapple is an artist and writer in New York. She is the author of two books,
Drawing Blood and
Brothers of the Gun, (with Marwan Hisham). Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, was shortlisted for a Frontline Print Journalism Award and longslisted for a National Book Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, and more. Her art is in the permanent collections of the Museum of Modern Art, the United States Library of Congress and the New York Historical Society. She is currently the Spring 2019 artist in residence at NYU's Hagop Kevorkian Center for Near Eastern Studies.
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Like. But take it from one who knows — you don’t have to worry about becoming invisible until you turn 50. Then it happens IMMEDIATELY.
Like. But take it from one who knows — you don’t have to worry about becoming invisible until you turn 50. Then it happens IMMEDIATELY.
I sat and stared at this piece for such a long time. For me it captures beautifully the feeling of lamenting our younger years that women over 30 are supposed to feel. Can’t say I lament for my twenties or pine to be younger, but I definitely agree with the invisibility phenomenon – it can be quite suffocating. Beautiful portrait, thank you for sharing.
I sat and stared at this piece for such a long time. For me it captures beautifully the feeling of lamenting our younger years that women over 30 are supposed to feel. Can’t say I lament for my twenties or pine to be younger, but I definitely agree with the invisibility phenomenon – it can be quite suffocating. Beautiful portrait, thank you for sharing.