Organized by PEN American Center and the National Coalition Against Censorship, the panel discussion “After Charlie: What’s Next for Art, Satire and Censorship,” illustrated some of the problems inherent in offering a civilized response to an utterly uncivilized act …
Cartooning is particularly “inflammatory,” said comics artist and illustrator Crabapple, because “it is visceral and irritates authoritarian assholes.” But she also noted that it’s easy for cartooning to be “taken out of context,” stripped of ironic intent and nuance, and used to provoke and offend. Indeed, she suggested, in the age of social media, where images are regularly recontextualized and recirculated, the ability to demonize an image, and its creator, will likely worsen.
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About Molly:Molly Crabapple is an artist and writer in New York. Her memoir, Drawing Blood, was published by HarperCollins in 2015. Brothers of the Gun, her illustrated collaboration with Syrian war journalist Marwan Hisham, will be published by One World/Penguin Random House in May 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, VICE, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and a Gold Rush Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, PRI, and more. The New Yorker described her 2017 mural "The Bore of Babylon" as "a terrifying amalgam of Hieronymus Bosch, Honoré Daumier, and Monty Python’s Flying Circus.” Her art is in the permanent collections of the Museum of Modern Art, the Rubin Museum of Art and the New York Historical Society.
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